Trufabricator Magazine - Framing Construction
May 2023 issue #5
de Brice Frillici
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À propos du livre
If you are calling a 2x4 a thingy stick or a tree jubilee or a dolphin zing, you will not survive the winter.
If you think a nail gun is a head-scratcher then you can objectively meet god.
Not sure what I am getting at here but it is true. Like for sure.
Guilty as charged. I like wearing carpenter bags. My main tools hug my body and it feels like an exoskeleton of building power. I watch many scramble for their tools which are strewn about. And they ask to borrow mine. A carpenter who often asks for tools to be handed to them is burdensome. This is a person who has psychological issues and they are trying to express power by enacting Master-Slave scenarios. Which often stems from deep-seated insecurity. Which is fine I guess, but if you have to ask, just move and I will do it because you can't.
Tell me I'm wrong.
There are tons of ways to die on a Framing site. Falling is the least of my worries. Tied off or not. Mostly I fear the mistakes of others, but the injury is inevitable.
I love working outside and walking on 4-inch wide beams hauling 100 pounds of wood, metal, and dangling power tools over a span. And then banging the wood into my will, then tearing it back out again. ;) haha.
During better days, Framers can feel like kids playing in the sandbox.
Your house was built by hand, nail by nail. An outwardly appearing scumbag dirtball type that you will never meet did it. No AI here yet.
Mad respect for all Framers.
Caractéristiques et détails
- Catégorie principale: Livres d'art et de photographie
- Catégories supplémentaires Photographie artistique
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Format choisi: Lettre US, 22×28 cm
# de pages: 100 - Date de publication: mai 01, 2023
- Langue English
- Mots-clés cabin, framer, photography, woodwork, carpentry
À propos du créateur
The Music, Artwork & Special Effects of Sekdek compile a giant body of cross-genre multimedia content. Drawing inspiration from art history, cult films, controversial artists/musicians, and the ineffable quality of infinity and beyond. The work ranges from abstract frenetic fractured-together avant-garde graphic novel multiverses of illustrations to underground surrealist, expressionist, subversive, fantastical, phantasmagoric photography to doom noise opera to pop to experimental etc. “All washed in psychedelia, Brice Frillici's San Franciscan west-coast jams teeter the border between pop music and b-movie soundtracks” - NPR “Big hug” - Sir Olivier de Sagazan “Sekdek is the Cindy Sherman of mud” - Dan Mayer “Fantastic and a little bit gory” - High Fructose Magazine "SEKDEK are like GWAR groupies" - Rooney Van Halen