Nothing Left But Wind is a deep dive into the architectural mannerisms created by humans within natural spaces, thus examining how nature reciprocates. This body of work focuses on the various creations of humanity, rather than humans themselves, to shift the emphasis from the would-be subject to the details of the scene itself. The work uncovers human-made structures that move the viewer's eye to the subtleties of the landscape. Vegetation crawls up white walls, dirt overtakes pristine floors, and wind softens sharp edges.