The book about the First Digital Biennale starts with a promise: “Nanette Cole, a person you will become in this book, would say, “The procedural algorithm is amazing. It’s just some beautiful code.” When it comes to leaving the tracks you are daily in you can opt in or out. You can ignore the changes as long as possible or you can do a jump. When did you buy your first smartphone? Maybe you have just given up your resistance to carry a cell phone with you when you do a cross-country trip on your mountain bike. Then, in the middle of nowhere, having lost orientation, you recognise that a smartphone would not be bad at all. When it comes to the arts the changes stay long unnoticed on a broad view. This happens even inside the art community. Ask an artist you know if they have ever heard of “immersive interactive art.” Ask a painter or a sculptor, ask an artisan. Then ask someone outside this field like a gamer. They instantly will turn the picture. They will speak of skins, of Avatars, of game design. Digital Art changes the way we see art. Computers, software, Artificial Intelligence systems have become such a tool to fire. Art created by software can interact with your brainwaves and uses the feedback so you can see ...